It sure seems like the only way to get bipartisan support for anything in Washington is to propose that the government be able to spy on everyone forever without a warrant; or to propose that the government be able to incarcerate anyone forever without charges.
Friday, December 28, 2012
Delhi Rape Victim's Condition Deteriorates - NYTimes.com
At some point, all you can say is "What the hell is wrong with people?"
Delhi Rape Victim's Condition Deteriorates - NYTimes.com:
'via Blog this'
Delhi Rape Victim's Condition Deteriorates - NYTimes.com:
'via Blog this'
Thursday, December 27, 2012
Unbelievable
This is, frankly, incredible; and not in a good way.
http://www1.rollingstone.com/extras/Deposition-Transcript-of-Glenn-Hubbard.pdf
http://www1.rollingstone.com/extras/Deposition-Transcript-of-Glenn-Hubbard.pdf
Friday, April 06, 2012
Kant a consequentialist?
So Parfit argues, apparently, in On What Matters. I'll have to think about that.
Tallis Scholars at Duke
It's always a pleasure to see the Tallis Scholars live. That twelve voices can fill a huge cavern like Duke Chapel with glorious sound is quite astonishing, really.
The program of music by Mouton, Cornysh (the elder), and Browne was a fine one. It's nice to hear Mouton's music beyond the sublime "Nesciens Mater"; and Cornysh's music highlights the immense differences between music being written on the continent and in England in the early 16th Century. The Browne "Salve Regina" helped demonstrate that, while Mouton and Cornysh wrote very fine music, Browne wrote great music and should be considered one of the very great English composers of that or any age.
It's also nice to see (and hear) the Tallis Scholars sing the early English music at a lower pitch than in the past. This was true, too, of Tallis's "O Nata Lux", which was the welcome encore. It sounds much better to my ears without a piercingly high soprano line.
Bottom line here is that the Tallis Scholars are better than ever. Peter Phillips has changed with the times in his understanding of the music he presents and in his presentation of it. His Josquin mass cycle is timely and important. I only hope that he will record some of the masses that are not securely in the Josquin canon (like, say, the "Quem dicunt homines".
The program of music by Mouton, Cornysh (the elder), and Browne was a fine one. It's nice to hear Mouton's music beyond the sublime "Nesciens Mater"; and Cornysh's music highlights the immense differences between music being written on the continent and in England in the early 16th Century. The Browne "Salve Regina" helped demonstrate that, while Mouton and Cornysh wrote very fine music, Browne wrote great music and should be considered one of the very great English composers of that or any age.
It's also nice to see (and hear) the Tallis Scholars sing the early English music at a lower pitch than in the past. This was true, too, of Tallis's "O Nata Lux", which was the welcome encore. It sounds much better to my ears without a piercingly high soprano line.
Bottom line here is that the Tallis Scholars are better than ever. Peter Phillips has changed with the times in his understanding of the music he presents and in his presentation of it. His Josquin mass cycle is timely and important. I only hope that he will record some of the masses that are not securely in the Josquin canon (like, say, the "Quem dicunt homines".
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